Painting
Curtains
Curtains explores paradox through a double perspective, using a mutable grid to test color relationships and destabilize spatial logic. The curtain becomes a site of revelation—an allegorical tear where inside and outside collapse, and inherited structures are overturned. They act not as disclosure, but as a moment where concealment and unveiling coexist.
Reversal of Fortune
Reversal of Fortune uses a soft, atmospheric ground derived from incidental shadows cast by a phone during documentation, where the act of recording becomes part of the image’s instability. Against this field, a shifting box structure repeatedly flips perspective, multiplying points of orientation. The work reflects a condition of competing narratives and endless reframing—images nested within images, viewpoints collapsing into one another.
Violent Whimsy
Violent Whimsy gathers an early body of work shaped by excess, collision, and improvisation, where scale, humor, and aggression operate in uneasy balance. Built through repeated layering and revision, the paintings rely on accumulated history to generate vitality—as if the work is animated by what it has survived rather than refined away. They remain marked by use, damage, and endurance rather than refinement.