Photo
Written Light
These photographs treat sketchbook writing as a stage. Using light and shadow to create drama, the page becomes a set—where meaning and atmosphere perform together
The work is intimate and immediate, made with minimal means and little distance from its moment of making. A smart phone shadow often anchors the images in the present, marking them as artifacts of a specific technological and cultural moment.
Moving between humor and sadness, clarity and unease, the works are often paradoxical and unresolved. The final work is not the drawing, but the photograph—a record of conditions rather than an object.
all images available (framed or unframed) at 16" wide in editions of 10. inquire
Shadow Plays
These photographs stage drawings through shadow as much as line. Using hands, bodies, and improvised light sources, the image becomes a small theater—where interruption, distortion, and presence are integral to meaning.
The shadows are not effects but collaborators, introducing tension, humor, and unease. Figures appear provisional, haunted, or momentarily alive, as if caught mid-gesture between drawing and disappearance.
The work embraces instability and play. What is recorded is not the drawing itself, but the fleeting conditions that briefly animated it.
all images available (framed or unframed) at 16" wide in editions of 10. inquire
Refractory / Refectory
These photographs use refractors, prisms, and lenses to fracture and reanimate drawn images. Borrowing from historical sources and art-historical references, the drawings serve as raw material rather than finished works.
Light bends, spills, and interrupts, producing images that hover between reverence and misalignment. The title plays on refraction and ritual—suggesting both optical distortion and a place of contemplation.
The photograph is the final act: a temporary convergence of source, light, and accident—where the work briefly resolves before dispersing again.
all images available (framed or unframed) at 16" wide in editions of 10. inquire